Otto Neurath
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  • OTTO NEURATH
    Pictorial Statistics
  • Archives and Collections
  • Bibliography
    • Introduction
    • Writings 1925-1946
    • The Museum and After
    • Neuraths Circle
      • » Peter Alma
      • » Gerd Arrntz
      • » Marie Reidemeister/Neurath
      • » Jan Tschichold
      • » August Tschinkel
    • Secondary Literature
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neurath's circle

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  • PETER ALMA
  • WRITINGS
  • Peter Alma
    'Beeldstatistiek', in De 8 en Opbouw. Tijdschrift voor architectuur en stedebouw 3, no. 19 (Amsterdam 1932) 189-190.
  • Peter Alma
    'Beeldstatistiek en sociologische grafiek', in Wendingen 11de serie, nr. 9 (Amsterdam 1930) 3-7.
  • Peter Alma
    Publieke voorlichting door beeldstatistieken', in Forum 2, no. 5 (1947) 130-133.
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  • GERD ARNTZ
  • WRITINGS
  • Gerd Arntz
    'Otto Neurath, ich und die Bildstatistik', in Friedrich Stadler (Hrsg.), Arbeiterbildung in der Zwischenkriegszeit (Wien 1982) 31-34.
  • EXHIBITION CATALOGUES
  • Kees Broos (red.)
    Gerd Arntz. De tijd onder het mes. Hout- & linoleumsneden 1920-1970 (SUN : Nijmegen 1988).
  • Friedrich Stadler (Hg.)
    Arbeiterbildung in der Zwischenkriegszeit. Otto Neurath - Gerd Arntz. Otto Neurath und sein Gesellschafts- und Wirtschaftsmuseum in Wien 1925-1934. Politische Graphik von Gerd Arntz und den Konstruktivisten. Österreichisches Gesellschafts- und Wirtschaftsmuseum 15 (Löcker Verlag : Wien/München 1982). Catalogue of an exhibition held in the Arbeiterkammer Wien (26 April-23 June 1982), and organized by the Österreichisches Gesellschafts- und Wirtschaftsmuseum.
  • Flip Bool, Kees Broos (eds.)
    Gerd Arntz. Kritische grafiek en beeldstatistiek = Kritische Grafik und Bildstatistik / [samenstelling katalogus Flip Bool, Kees Broos; vertaling Marie-Louise Flammersfeld, Kees Broos, Flip Bool]. Sunschrift 113 (Haags Gemeentemuseum : Den Haag/SUN : Nijmegen 1976). Catalogus van de tentoonstelling Haags Gemeentemuseum 1976.
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  • MARIE REIDEMEISTER/NEURATH
  • WRITINGS
  • Marie Reidemeister
    'Bildpädagogik', in Die Erziehung 7, nr. 5 (1932) 313-317.
  • Marie Reidemeister
    'Die bunte Welt : Mengenbilder des Gesellschafts- und Wirtschaftsmuseums in Wien', in Arbeit und Wirtschaft. Halbmonatschrift für volkswirtschaftliche, sozialpolitische und gewerkschaftliche Fragen. Organ der Gewerkschaftskommission, Arbeiterkammern und Btriebsräte Österreichs 9 (Wien 1931) 315-320.
  • Marie Reidemeister
    'Die Kunst der statistischen Darstellung', in Kulturwille. Organ für kulturelle Bestrebungen der Arbeiterschaft 4 (Leipzig 1927) 9.
  • Marie Reidemeister
    'Kurven in der statistischen Darstellung', in Österreichische Gemeinde-Zeitung. Offizielle Zeitschrift deutschösterreichischen Städtebundes 4 (Wien 1927) 9.
  • Marie Reidemeister
    'Die moderne Hieroglyphenschrift. Bildstatistik des Gesellschafts- und Wirtschaftsmuseums in Wien', in Daheim 65 (Leipzig 1928) 7.
  • Marie Neurath
    'Isotype', in Health Education Journal 13 (London 1955) 1.
  • Marie Neurath
    'Isotype', in Instructional Science 33, nr. 2 (Amsterdam 1974) 127-150.
  • Marie Neurath
    'Isotype charts', in Medical and Biological Illustration (Harlow January 1954).
  • Marie Neurath
    'Isotype. Education through the eye', in Henri Dreyfuss (ed.), Symbol Sourcebook (McGraw-Hill : New York/London 1972) 24-25.
  • Marie Neurath
    'Isotype in films', in Scannan-Journal of the Portlaoghise Film Society 1 (1946) 3.
  • Marie Neurath
    'The origin and the theory of Isotype', in Yearbook of Education (London 1960) 112-119.
  • Marie Neurath
    'Otto Neurath und Isotype', in Graphic Design nr. 42 (1971) 11-30.
  • Marie Neurath
    'Report on the last years of Isotype work', in Synthese 8, nr. 1/2 (1950/51) 22-27.
  • Marie Neurath
    'Die Rolle der bildstatistischen Darstellung in der internationalen Volksbildung', in Monatschriften für Erziehung, Wissenschaft und Kultur der Österreichischen Liga für die Vereinten Nationen 1 (1948) 6.
  • Marie Neurath
    'Zum 40. Geburtstag des Gesellschafts- und Wirtschaftsmuseums in Wien', in Arbeit und Wirtschaft Nr. 6 (Wien 1965) 24-26.
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  • JAN TSCHICHOLD
  • WRITINGS
  • Jan Tschichold
    'Neue Formen der statistischen Darstellung', in Graphische Berufsschule nr. 3 (1931/32) 26-28; Typographische Monatsblätter 4, nr. 2 (1936) 37-39.
  • Jan Tschichold
    'Statistics in pictures. A new method of presenting facts', in Commercial Art 11, nr. 63 (1931) 113-117.
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  • AUGUSTIN TSCHINKEL
  • WRITINGS
  • Augustin Tschinkel
    'Prace Sociologickeho a hospodarskeho Musea ve Vidni', in Vytvarne Snahy 11, nr. 5 (1928) 78-82.
  • Augustin Tschinkel
    'Statistik und Kollektivform', in a bis z 2, nr. 13 (1931) 51.
  • Augustin Tschinkel
    'Zobrazeni mnozstvi a kolektivni tvary. K vyberu ze sbirky sociologicke grafiky sociologckeho a hospodarskeho Musea ve Vidni', in Vytvarne Snahy 11, nr. 8 (1928) 136-137.
  • EXHIBITION CATALOGUES
  • Kees Broos (red.)
    Augustin Tschinkel [Tentoonstelling in het Haags Gemeentemuseum,] 25 september-21 november 1976. Prentenkabinet 47 (Haags Gemeentemuseum : 's-Gravenhage 1976).
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  • Gerd Arntz (1900-1988)
  • Gerd Arntz was born the son of a factory owner. At the art school in Düsseldorf he became involved in revolutionary circles and linked up with a small communist group that advocated forming independent, self-governing councils. As an artist he joined a group that wanted to depict developments in society instead of individual emotions. For Arntz this view led to creating woodcuts and lino-cuts with stylized figures representing social groups and classes. He was influenced by abstract art, but continued to work in a representational way. Arntz's pictures were published in progressive magazines, sometimes in thematic collections.
  • In 1928 Arntz was invited to work for the Gesellschafts- und Wirtschaftsmuseum in Vienna. This institute developed methods of pictorial statistics to illustrate social and economic processes. Complex problems had to be represented simply and clearly. Arntz's style lent itself to these objectives perfectly. Under his artistic direction, a catalog of visual statistics was published in 1930 under the title Gesellschaft und Wirtschaft.
  • After working in Moscow for a year, Arntz had to flee to the Netherlands in 1934. There he continued working on pictorial statistics, and published his wood- and lino-cuts in left-wing periodicals. One woodcut was removed from an exhibition in Amsterdam, because its anti-fascist message was found offensive by the German ambassador. After the war, Arntz worked for the Dutch Foundation of Statistics. Late in life, he received artistic recognition in several retrospective exhibitions and prizes.
  • source
    Art to the People [IISG-Amsterdam]